Marshall/Meixuan Wang is an independent graphic designer and a new-media artist based in Brooklyn. 

As a graphic designer, she works with local merchandises and artists, creating brand experience that forge connections and shift cultures. She sees thoughtful design as a sensory experience that enhances community and amplifies brand’s impact.

As a new-media artist, She’s inbetween system, aesthetics, simulacra, and the reality we nest in. 
Her works explore the lacunae and precariousness of digitality, and searching dissonant chorus in the natural and constructed world through moving images.

Marshall is currently working as a freelance designer. Previously she worked at MIT Media Lab and Kinestry. Marshall also co-founded Sequence, a New-York based art collective exploring gesture of care through indie-publishing and design goods.
Social
 
Emailempacymachine@gmail.com
⛧──⋆⋅☆⋅⋆ ──⛧⛧───⋆⋅☆⋅⋆ ───⛧⛧──⋆⋅☆⋅⋆ ──⛧ART FAIRS and CREATIVE EVENTS
Jersey Art Book Fair, 2025
Press Play at Pioneer Works, 2024
Offset Book Fair, 2024
Brooklyn Art Book Fair, 2024
New Art Dealers Market, 2024
IBM Quantum Design Jam , 2023
MIT Reality Hack, 2023

Exhibitions
In Good Company, Flowing Space, NY, 2024
Spiraling Ashore, The New School, NY, 2024
Neuraliminal, Boston Cyberarts Gallery, MA, 2023
A Moving Images Experience, IIDRR Gallery, NY, 2023
Play As Social, National Gallery of Denmark
Denmark, 2023
Neura Futures, MIT Media Lab, MA, 2022
It’s Not the End!, CalArts, CA, 2021

Talks and Press
Rebel Mag
Voyage LA
Ace Art & Edu
Design Live Graduate Talk
Young Blood Talk Series
CIAD Contemporary Art and Design
TNS Parsons First Year Program 

Client
Nike Swim, Renault France, MeowWolf, Bestore Co. Crocs, Qingdao Brewery, Titeuf, Parsons School of Design, REDCAT, Studio Dimitri Chamblas, MIT Media Lab, CalArts School of Dance


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An Altar is Wherever You Kneel

Five-channel video installation, 2024


An Altar is Wherever You Kneel is a 5-channel video installation on sprituality and technology. It is a discovery of self, fields, invisible forces and shapes. The research begins with a study of value systems that demonstrate the power of spirituality and an introspection of a physical body navigating in a field of vows (愿力场), hybird or real. It slowly evolves to a constellation of work intersecting spiritual ideologies, system diagramming, and computer graphic techniques.

Exhibitions
Spirling Ashore, Parsons Design and Technology MFA Thesis Show, NY, 2024

Role
Visual Design, 3D Rendering, Creative Direction, Visual Programming

Medium
Acrylic, Metal, Projector, Wood, Transparent Film, Cotton, Jacquard Fabric

Dimension
70 x 30 x 60 inches 

Tool
 
Cinema 4D, Zbrush, Unreal Engine 5, Mad Mapper, Photoshop, After Effects, Touch Designer Comfort UI (AI), Laser Cutting, 3D Mapping


Impetus



The Installation consisted of three parts: 
1. Taxonomy of Prayer 
2. Acrylic panels coated with special film with rear projection of a field of vows with aspicious forms rendered in UE5 
3. An altar set-up with candles and transparent booklet with letters engraved — where audiences pray.




Installation View



Banner 


Arcrylic Booklet


You’re standing in a field of vows.
Time and space are social constructs. 
It’s anti-random, forward-moving. 

Seeds of consciousness float in the air, 
as we drift through space. 
Slowly to stretch, to expand, 
to find meanings, to connect,
to land on consensus.
Seeds sprout, the temporal is us.

“Did you confess today?”
A private, but collective; 
intimate, but remote; messy, but direct ask.  
A feedback loop we construct to construct ourselves.

To all hidden thoughts, unspoken tales, 
and fleeting moments,
Our existence is a prayer. 

Our body is not a body, our body is not ours.
Our body is not ours, our body is a network.
Our body is ours.

Close-up View




Video Installation
An on-site five-channel video installation, 3D mapped on five transprent acrylic panels, each coated with special film so that graphics are visible through the transparent surface. 






Render

Last Project
© Marshall Wang Meixuan  2025